Posts Tagged vimeo

#MusicMonday: Benga’s “Baltimore Clap,” Dubstep to the Decadent Entertainment Machine Complex

via august in whitechapel

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Good Morning, The End of History(World’s Strongest Beer). Happy Hour won’t Come Soon Enough

Our old buddies BrewDog have done it again. Not content with winning back the “strongest beer in the world” title last February with its Sink the Bismarck!, they’ve now upped their game with a new brew that is 55 percent alcohol by volume and carries a $765 price tag. It’s called The End of History.

The only words we have are for pleading. Won’t some generous soul buy us a bottle of this squirrel-snuggied brew?

A video for how BrewDog hit upon this brewing revelation brought on by poor dead Mr Stoat lay below.
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Saturday Afternoon Theater: 3 Mega Robot Rampages. 1 Leftover IRON MAN 2 Alterna-bot. Thank You, Kaktus Film.

Below the jump, 4 incredibly short films from Kaktus Film’s Vimeo featuring robots.

The first three feature Mega Robot. A destructive mech with childish tendencies and victim of karmic justice.

The fourth is a Middle East bot created for IRON MAN 2 that did not make the cut for the film.

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“Pure”: Celebrating Action Movie Violence and Visual Tropes

More specifically, thank you, @GreatDismal (William Gibson).

Video creator Jacob Bricca explains:

A meditation on violence and visual tropes in the action film genre, “Pure” celebrates the visceral pleasures of cinema. Music by The Jesus Lizard. Please play full screen at top volume!

We did and it was EPIC.

via @somebadideas

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Open Your Eyes My Little Friend, BEST WORST MOVIE has a Poster

If there’s anything you learn in this world it must be this: TROLL 2 was made and it is the most god-awful thing you’ll ever put into your eyes. We’re talking GIGLI bad. BATTLEFIELD EARTH horrible.

Don’t take our word for it. Search the You Tube for the infamous bad movie montage. Better yet check out this Montage of Wonder and Awe on Vimeo.

Over the last 20 years the maddest thing happened. TROLL 2 became a cult sensation. Blame MST3K. Blame the ironic hipster culture where everything (and we mean everything) that is bad is good. Blame it on the rain for all the good it’ll do you. TROLL 2 is celebrated in its awfulness by a select group of fans all over the nation and there’s nothing you can do about it.

You can do nothing but make a documentary about acting in the BEST WORST MOVIE ever made, that is.

Directed by the annoying 10 year old child star of the worst movie ever made, BEST WORST MOVIE is a documentary exploring the behind the scenes happenings of TROLL 2. Judging from the independent awards and the current 100% freshness on Rotten Tomatoes, BEST WORST MOVIE needs to play at a theater near us some time soon.

Trailer after the jump.

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Dresden Codak Out-Frenches, French Cinema. Possibly Insane.

We admit to being uninformed on the current works of Dresden Codak. His webcomics are thoughtful, enterprising, and full of love. But with a schedule of roughly one new comic every month, we figure we have time to catch up on what lurks in the mind of Codak.

Imagine our surprise when today’s site visit reveals… well… this.

Of course, we threw the video below the jump. Of course, we did.

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iPad Frenzy: iVerse Demonstrates Mobile Comics App Preview, +20 Hype Increase

The Application has been submitted and passed the initial approval stages, so we’re expecting it to be available on launch day. This is a Universal Application — so it will be the same App as the iPhone application — and all your iVerse Comics In App Purchases will transfer over to the iPad at no additional cost.

Below the cut you’ll find an awesome video of awesome digital comics being demonstrated awsomely.

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MusicMonday: OK Go Creates New, Fully Embeddable, Video for “This Too Shall Pass”

Many zotons ago, OK Go debuted the video “Here it Goes Again” on You Tube. The video was them doing synchronized dancing on treadmills. It was awesome and the Internet agreed. Fan response involved many, many You Tube embeds to personal sites and the like. This built up momentum, which built up hype, which garnered OK Go rave reviews and much free advertising.

Four years later, the suits have stepped in. It seems EMI and You Tube don’t get paid for how many times a video is embedded. They only acknowledge visits to the main site(You Tube). The specifics on why they can’t monetize a fan’s embed remain hazed in the clouds of legal wrangling and mind-blinding deals made behind desks full of faceless executives.

What EMI and company fail to understand is how Internet works. It’s through this type of sharing that acts or idiots gain popularity. It’s through this popularity that money can be made. While they remain steadfast in the old systems of management, OK Go understands the new road. They even did an Op Ed Piece in The New York Times about the troubles of marketing in this Internet age. (Excerpt below)

As the age of viral video dawned, “Here It Goes Again” was viewed millions, then tens of millions of times. It brought big crowds to our concerts on five continents, and by the time we returned to the studio, 700 shows, one Grammy and nearly three years later, EMI’s ledger had a black number in our column. To the band, “Here It Goes Again” was a successful creative project. To the record company, it was a successful, completely free advertisement.

Now we’ve released a new album and a couple of new videos. But the fans and bloggers who helped spread “Here It Goes Again” across the Internet can no longer do what they did before, because our record company has blocked them from embedding our video on their sites. Believe it or not, in the four years since our treadmill dance got such attention, YouTube and EMI have actually made it harder to share our videos.

Their new video “This Too Shall Pass” has been unable to build the same traction as “Here it Goes Again” because of their label’s restrictions. Obviously we would have posted it eons ago for it was awesome. Not as mind blowing, frenetic as dancing on treadmills but more of a liquid state of awesome. Later today, OK Go will release a new State Farm insurance sponsored and, we’re guessing, fully embeddable version of “This Too Shall Pass” which will be featured on the band’s website 6:00 PM CST and in this post as soon as we’re able to access it.

Update begin: The sound has rendered. The video is here. We’ve rethought our position on the first video(involving the marching band) and the new video(involving the Rube Goldberg device). The Rube Goldberg device defeats all previous and future music videos of “This Too Shall Pass”

Update end.

For now you can watch the You Tube embeddable ‘Making of’ videos below.
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Future Tease: Consider the Possibilities of a Trillion-Node World

Above you see a short film by MAYA Design that lays out the challenges and opportunities of the computing age future. If you want to dig even farther into the trillion-node concept check out Dr Peter Lucas’ white paper which predicted the scaling and complexity brushed upon in the MAYA video.

(via grinding)

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Friday Relax: SLINGERS, “Your New Favorite TV Show”

What we have here is so delicious that’s it should be a Tuesday Tease. Waiting that long to post this sizzle reel would be a crime against cool. Warren Ellis describes SLINGERS best.

It’s OCEAN’S ELEVEN. The Sixties original. In space. With Sean fucking Pertwee. Devised by old crony Mike Sizemore, directed by Steve Barron. It’s called SLINGERS.

Thieves on the edge of Jupiter. Guns that sass your intentions.

Know this. When we talk the future of science fiction in television we’re talking about watching badass shit like this.

You look confused. Why not have a bit of background info?
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