Signal to Noise to Music


You’ll have to forgive the weak emptiness of this end of The Nation. I’ve either not had the time and not made the time needed to throw together words of woe, wisdom or otherwise. Short bursts is all I can mange these days.

We will try for themes though. This week will be music. My searches will refine to anything audio or visual. Anything worth a damn on the listening scale.

Ectomo’s Noise Du Jour kicks the week off with the tried but true “noise from random electronic objects that somehow makes a listenable sound experience.” Radiohead ran a mix contest for their song “Nude” and this is one of what they got: Big Ideas (Don’t Get Any)

The orchestra assembled?

  • Sinclair ZX Spectrum – Guitars (rhythm & lead)
  • Epson LX-81 Dot Matrix Printer – Drums
  • HP Scanjet 3c – Bass Guitar
  • Hard Drive array – Act as a collection of bad speakers – Vocals & FX


Prince is 50, Y'all


The Purple One.

This means you, foo

The writer/singer/everything of such masterpieces as “Darling Nikki” and “Housequake” just rolled the life-odometer to half a century.

Half, a fucking, century.

The BBC charted his successes:

Prince discography success

I’m taking my turn on a smaller level. In no particular order, my top 7 most favorite wouldn’t dare skip ahead or stop mid-song Prince songs are:

  • Darling Nikki
  • HouseQuake
  • Pope
  • Alphabet Street
  • Get Off (The Dirty Version)
  • Morning Papers
  • Starfish and Coffee

What are your Top 7 Prince songs, ever?

Comments are currently open.

Speak.



Weezer Covers BoA, Risks My Unbridled Fury


I admit that Weezer’s recent resurgence of Pork & Beans (a lesson in Internet Famous) was good enough to make me appreciate their skills. Hell, I may even like them again. But now they’re stepping in sacred waters. Now they dare to cover multilingual K-Pop, J-Pop Korean star BoA “Meri Kuri.”

Singing about dorks on the Internets is one thing. When you start crossing linguistic barriers and step into the awesome of the BoA zone, you best bring your A game.

What I’m hearing here (below) is B minus at best.

Hear “Meri Kuri” as the mega-hotness that is BoA intended under the cut.



Speed Racer: Embrace the Fun


Here’s how it worked for me. The last minute decision to see SPEED RACER in spite of those who judge a movie’s success wholly on it’s opening weekend box office came upon me swiftly. I decided it was a flick worth seeing in the theatre and I was not wrong.

If you’ve seen anime and know all the trappings involved with them and/or if you are a Speed Racer fanatic you’ll get a major kick from this film. Also, as it was quoted to me:

“The ads are very accurate; cut and filmed exactly like them, so if they turned you off, you just aren’t ready for it.”

I went in unsure about what the Wachowskis were gonna give me. Their love of anime is honestly the only thing that allowed me to fit the movie in my budget. I’m glad I did. I thought it was pretty fucking fun. It really was *Speed Racer* with only minor tweaks to make it movie-worthy.

Please note for future reference:

The Anime Laws of Physics
* Those who have not viewed much anime in the past, or read much manga, may be a tad confused by the very liberal approach to physics that Japanese artists tend to take.

* It should be noted that the laws of physics for anime are quite different than American cartoons, due to different cultural symbolism and sense of humor.

* The copyright owners have granted permission.

* It’s funny as hell.

I don’t think the mainstream American audience was ready for the mix of: over-the-top humor, angsty angst, violent death, corporate-finance conspiracy, and solid family drama. For whatever reason, most folks don’t like their movies to be that broad.

In the end, whether you like or dislike this movie will fall completely on personal taste (and the quote mentioned above).

*I* thought it was brilliant.

And I’m crossing my fingers that the DVD/blu ray release will give SPEED RACER the popularity it deserves.

Next up: PRINCE CASPIAN



A Time To Watch a Lot of Fictional People Die


Internet,

Stop trying to please me.

These lists you insist on making in order to fill content on your sites and evoke some kind of reaction(see insane Nerd Wars), at first I found them distasteful. At worse they were lazy and unimaginative. But now you’re showing me things, wonderful things that I can actually agree with. It’s becoming very disturbing. Are you becoming more like me or am I becoming like you?

Please don’t answer this.

I’ll sit back and try not to drown in either possibilty. Instead, I’ll reflect on this list of cinematic death you’ve placed in front of me.

And I’ll call it, ‘good.’

Groonk

Top 5: Pre-Death Monologues in Film

PS. It was a tough decision but I believe you can figure out my favorite choice from the list. Although, that Dennis Hopper bit is a damn close second.

Now that you’re done dying, have a little hope.



Stephen Colbert Talked to Space


IRON MAN: The Awesomest Thing Since Awesome Came to Awesome Town


That was the funnest, most awesome “comic book” movie I’ve seen to date. Robert Downey Jr *was* Tony Stark. He made you want to *be* Tony Stark. I’ve never been a fan of Platrow, but somehow she just glowed in this role. I don’t know what pagan goddess she prayed to, but she needs to keep that up.

I had seen the one-sheets of Obadiah Stane and found him unrecognizable. I never bothered to look up who was playing him. I did not realize til Stane opened his mouth on screen that it was The Fucking Dude, man! I about shit myself. He *owned* that role. he didn’t have much to say but Jeff Bridges ate up the scenery whenever he was on.

The inside comic geek references were perfect. The 10 rings. The mouthful of a government agency which I should have caught on to but the sheer brilliance of the movie distracted me from nitpicking it to death. Those little nods were there for those who knew Iron Man yet those who didn’t were not left out of the joke. The bit with Rhodes looking at the silver armor and promising, “next time” made me pop a little geek boner.

It was embarrassing.

I had to stay til after the credits before it went away. Which is where I saw a certain one-eyed super-spy make his appearance. He left the snakes on the plane this time.

That’s it. IRON MAN was subtle when it needed to be and action-y when it had to be. It was faithful to(what I know of) the story. It was the Spirit of Awesome in the House of Win.

And I’m gonna see it again.

Other IRON news:



Can't Stop Watching New Speed Racer Video. Brain Possibly Broken


Those Wachowski brothers have the best damn visual sense of any creative team these days. That’s the only thing that can describe why I’m fascinated by the new Speed Racer video.

I have to say this increases my anticipation of the movie. It looks gloriously stupid but so was the original series. Another thing the original Speed Racer had was fun. It was better than any other cartoon of the time and that time in question: 1967. Do you recall a cartoon that’s lasted in conscious memory that long?

Neither can I.

Let me also say that it’s the video’s visuals that sell me on the song. The video sold the radio star.

So what’s next on the remake list, Senor Wachowskis? If you tell me it’s Robotech consider my first born your forever indentured servant.



Discovering Boom Di Ada


Thanks to Will Pate, my Friday starts with charm.



A Zach Galligan Interview Wherein I learn "Nothing Lasts Forever"


Movie Special effects were tricky some 20 odd years ago. Some may say the FX were better, but those folks are only half right. Simpler is a better description. Simpler is usually the best way to solve any problem. That’s just how it works.

Reading an interview with Zach Galligan I learned just how complicated the GREMLINS 2 gremlins really were:

And when he[Rick Baker] came in, some of the stuff he did with some of the Gremlins in Gremlins 2, at the time, it was absolutely jaw dropping. I mean, with the intelligent Gremlin, the brain Gremlin, that was voiced by Tony Randall, he came up with this system that works with the voice. And once you have the tapes, you had this thing where the computer was attached to all of the wires.

So this combination of pulling on the wires would create this facial expression that mimicked the letter E. And this pulling on the wires would do the letter G, all the way through the alphabet. And they’d get the voice, would phonetically transpose everything by computer for the facial expressions, and there’d be a two and a half second delay. So you would play the tape, it would go through this incredible computerised thing, and the Gremlin would sit there and would be talking, and it would be about two and a half seconds behind. Then, all you had to do was move the tape up two and a half seconds and it fit perfectly. So when you played the tape back, it looked like the thing was talking. And remember, he did that in 1989, way before the Internet, and way before computer programs were sophisticated. It was on another level.

You should have seen – when he demonstrated that thing, everyone was stood around like it was some kind of magical invention. It was unbelievable. It was an incredibly high level of sophistication.
Zach Galligan

The Den of Geek interview made mention of a 23 year old movie called NOTHING LASTS FOREVER. A movie which looks like a thing worth watching. Too bad it was treated so shoddy back in the day.

Here I am doing a movie with Saturday Night Live people, with Lorne Michaels producing it, and Bill Murray, Dan Aykroyd and even John Belushi was going to be in it, until he passed away about a month before we were going to start shooting it.
So here I am the lead, with all this stuff going on. And then I did the movie, and it turned out very differently, I mean. It’s very artistic and offbeat, and interesting: it’s peculiar and dreamlike, it’s just not a commercial movie. As a result, MGM just had no idea how to market it.
Zach Galligan

He goes on to say that some time after that the studio wrote it off as a tax loss. This meant no DVD. Yet they dols it to Turner Broadcasting and they have been showing it in Europe where a Dutch kid saw it and wrote a book about it called Nothing Lasts Forver.

Screenings have been held the last few years around the USA and it’s getting good reviews. 23 years later, a movie finds its audience.

Now how do I get my hands on it?

*schemes. plots.*

Looks like I got my Quote of the year(so far):

“…the difference is that people in Los Angeles are interested in success, people in New York are interested in achievement. There’s a very big difference. The people in New York want to achieve something, the people in LA they just want to achieve success.

Sure it’s a broad statement. But as a person on the outside looking in, that’s how it appears to work.

(Den of Geek Galligan interview: part 1 & 2)