{"id":4395,"date":"2006-07-24T13:48:02","date_gmt":"2006-07-24T13:48:02","guid":{"rendered":"http:\/\/groonk.net\/blog\/?p=4395"},"modified":"2006-07-24T13:48:02","modified_gmt":"2006-07-24T13:48:02","slug":"mako-was-the-godfather-of-asian-american-theater","status":"publish","type":"post","link":"https:\/\/www.groonk.net\/blog\/2006\/07\/mako-was-the-godfather-of-asian-american-theater\/","title":{"rendered":"Mako was the &#8220;Godfather of Asian-American Theater&#8221;"},"content":{"rendered":"<p>And now, he is gone.<\/p>\n<p><strong>Mako Iwamatsu 1933 &#8211; 2006<\/strong><\/p>\n<div class=\"blocked\"><img loading=\"lazy\" decoding=\"async\" alt=\"mako2.jpg\" src=\"http:\/\/www.groonk.net\/blog\/images\/mako2.jpg\" width=\"250\" height=\"343\" align=\"right\"\/>In the early days of his acting career, when most roles offered to Asian American actors were caricatures or stereotypes, Mako took just such a part and used it to open the doors of Hollywood and Broadway to others.<\/p>\n<p>In the 1966 film &#8220;The Sand Pebbles,&#8221; he played the Chinese character Po-han, who spoke pidgin English, called the white sailors in the movie &#8220;master,&#8221; and treated them as such. But through the power of his acting, Mako transformed Po-han and compelled the audience to empathize and identify with the engine-room &#8220;coolie.&#8221;<\/p>\n<p>The portrayal earned Mako an Academy Award nomination, which he used to continue his push for more and better roles for Asian American actors.<\/p>\n<p>Mako, who in 1965 co-founded East West Players, the nation&#8217;s first Asian American theater company, died Friday of esophageal cancer at his home in the Ventura County town of Somis. He was 72.<\/p>\n<p>&#8220;What many people say is, &#8216;If it wasn&#8217;t for Mako there wouldn&#8217;t have been Asian American theater,&#8217; &#8221; said Tim Dang, current artistic director of East West Players, based in the Little Tokyo district of Los Angeles. &#8220;He is revered as sort of the godfather of Asian American theater.&#8221;<\/p>\n<p>[&#8230;]<\/p>\n<p>&#8220;Of course we&#8217;ve been fighting against stereotypes from Day One at East West,&#8221; Mako said in a 1986 interview with The Times. &#8220;<a href=\"http:\/\/www.latimes.com\/news\/printedition\/california\/la-me-mako23jul23,1,1322541.story?coll=la-headlines-pe-california&#038;ctrack=1&#038;cset=true\" class=\"external external_icon\">That&#8217;s the reason we formed: to combat that, and to show we are capable of more than just fulfilling the stereotypes \u00e2\u20ac\u201d waiter, laundryman, gardener, martial artist, villain<\/a>.&#8221;<\/p>\n<p>The company&#8217;s mission soon expanded to include training writers. &#8220;Unless our story is told to [other] people, it&#8217;s hard for them to understand where we are,&#8221; Mako said.\n<\/p><\/div>\n<p>Mako was in tons of character roles as well as the big ones.  He also did voice overs on am myriad of shows.  Ones that I have seen being <em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Avatar:_The_Last_Airbender\" class=\"external external_icon\">Avatar<\/a><\/em>&#8216;s <a href=\"http:\/\/en.wikipedia.org\/wiki\/Uncle_Iroh\" class=\"external external_icon\">Uncle Iroh<\/a>, <a href=\"http:\/\/en.wikipedia.org\/wiki\/Samurai_Jack\" class=\"external external_icon\">Samurai Jack<\/a>&#8216;s <a href=\"http:\/\/en.wikipedia.org\/wiki\/Samurai_Jack#Aku\" class=\"external external_icon\">Aku<\/a>.  He made those characters more than just ink and cels.  I can&#8217;t see anyone else replacing his work.<\/p>\n<p>(via <a href=\"http:\/\/www.latimes.com\/news\/printedition\/california\/la-me-mako23jul23,1,1322541.story?coll=la-headlines-pe-california&#038;ctrack=1&#038;cset=true\" class=\"external external_icon\">la times<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>And now, he is gone. Mako Iwamatsu 1933 &#8211; 2006 In the early days of his acting career, when most roles offered to Asian American actors were caricatures or stereotypes, Mako took just such a part and used it to open the doors of Hollywood and Broadway to others. In the 1966 film &#8220;The Sand [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[31,36],"class_list":["post-4395","post","type-post","status-publish","format-standard","hentry","tag-culture","tag-quotables"],"_links":{"self":[{"href":"https:\/\/www.groonk.net\/blog\/wp-json\/wp\/v2\/posts\/4395","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.groonk.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.groonk.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.groonk.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.groonk.net\/blog\/wp-json\/wp\/v2\/comments?post=4395"}],"version-history":[{"count":0,"href":"https:\/\/www.groonk.net\/blog\/wp-json\/wp\/v2\/posts\/4395\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.groonk.net\/blog\/wp-json\/wp\/v2\/media?parent=4395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.groonk.net\/blog\/wp-json\/wp\/v2\/categories?post=4395"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.groonk.net\/blog\/wp-json\/wp\/v2\/tags?post=4395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}